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Showing posts with label guest blogging. Show all posts
Showing posts with label guest blogging. Show all posts

14 May, 2010

edward scissorhands was an editor

Cut here

Townsville’s literary scene is shaping up well. Workshops and events all over the calendar – and this is one you won’t want to miss. Shelley Kenigsberg will be at Thuringowa Central library on Saturday 29 May with her workshop The Kindest Cut: Editing for Writers. Fiction and non-fiction writers at any stage of development should book in now through QWC because your work’s going to come out looking shapelier. More balanced.


I have the impression from Shelley’s work that a good editor is like an author’s inner Edward Scissorhands. The Ed. works with the author to shape, to cut, to build, to capture a rhythm, to ensure the emergence of the true work. They realize a vision together – and that’s a win for readers because they don’t have to chew through a tangle of redundant words, images and characters to get to the meat.


Every word its place. In Shelley’s workshop writers will examine elements such as writing style and word choice, voice, viewpoint, dialogue, beginnings, ends and middles, flow, balance and structure. Shelley freelances, and is also owner of SK Publishing and coordinator of the Macleay College Diploma in Book Editing and Publishing. She has developed and presented courses for editors globally. She even edits in paradise!


Some of us have a few squiggles and a bit of knowledge in our repertoire to handle copy editing – fixing grammar, spelling and semantics errors. Structural editing? It can make a book fly! And readers certainly notice if the editing hasn’t been much chop. Shelley quotes Le Guin quoting Chekhov when she advocates cutting out your first three pages to find where your story really begins. I’m still editing my 22ish line poem about Brisbane after fabulous structural editing advice from Julie Beveridge. Editing’s a journey.


If you’re ready to take that journey, book through QWC for the Townsville workshop.


Develop your passion - check out the Society of Editors and pop The Style Manual in your pocket.


And don’t be shy. If you go to Shelley’s workshop – tell me how amazing your work is post-edit.


For this post I'm guest blogging for QWC - check out the Empty Page Blog

06 March, 2010

and I guest blog @ Sally Murphy's about children's poetry

Shout about it! Sally Murphy has a new book out - Toppling;  a verse novel. To celebrate its release Sally asked authors, readers, teachers and librarians to participate in a blog tour on her blog during March.
We were asked to respond to the topic, What I like about children's poetry.

Here's my post from over there (reposted below) - check Sally's blog during March for others' musings on children's poetry. And read Toppling!


summer watermelon moments

What fun to be guest blogging on Sally’s site on what I like about children’s poetry!
I like the zing of verse novels; their raw emotional intensity. They look just like other novels sitting on the shelf, but open them and you find words, carefully chosen words strung together in free verse with the power to crumple your heart and open your mind.


I discovered YA verse novels while working in a school library, first Steven Herrick’s, then Margaret Wild and Catherine Bateson’s titles. I was amazed how these authors could tell such compelling tales using so few words and so much white space. On the first page the reader is introduced to the characters, the narrator and the situation and then quickly flung into the action. The reader feels a part of this wild ride. It can be a quick read because of the economy of words, but intense.


Children love poetry written for them because it speaks of their experiences, their lives. Think of Laura Purdie Salas’ Stampede!: Poems to celebrate the wild side of school. And to have these poems read aloud or performed! Audiences quickly make the connection that poetry is life captured on the page (or stage). Congratulations to Sally, who’s adding to the genre with Toppling.


My challenge: add a poetry wall to your home, your school, your place of work. Encourage people to write their poems in ink, on postcards or post-its, or project poems onto the surface. Use magnetic poetry. Poetry forces you to clarify your thoughts.
Just like that pure moment when you bite into your first summer watermelon!

check out a verse novel - and feel yourself falling into the story

Best wishes Sally!